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STEVEN SPIELBERG (Director) is
one of the world's most respected, successful and celebrated
filmmakers.
As a filmmaker, Spielberg reached
a professional peak in 1993-1994 with Schindler's List, which won seven Academy Awards®
including Best Picture and Best Director. It won every major
Best Picture award and an exceptional number of additional
honors which include seven British Academy Awards, the
National Board of Review, the Producers Guild, the National
Society of Film Critics, a Christopher Award and the Golden
Globe Award. He was further honored with the Directors Guild
Award.
Acclaimed throughout the world,
Schindler's
List has been seen by
more than 75,000,000 people in theaters and millions more on
video cassette. In February 1997, it was shown in its
entirety as a television special on NBC, seen by 65,000,000
people.
Also in 1993, Spielberg directed
Jurassic
Park, which, in
addition to becoming the highest grossing movie of all time,
won three Academy Awards® for Best Visual Effects, Best
Sound and Best Sound Effects Editing.
He has been associated as director
or producer on six of the top 20 highest-grossing films of
all time. E. T. : The
Extra-Terrestrial is
the second highest-grossing film in the U. S. and Canada. It
is still surpassed only by Jurassic Park and The Lion King worldwide. He earned his first Directors
Guild Award for The
Color Purple, and the
DGA also nominated him for Empire
of the
Sun, Jaws,
Close Encounters of the
Third Kind,
Raiders of the Lost
Ark and
E. T. : The
Extra-Terrestrial, in
addition to Schindler's
List. For the last
four, he was also nominated for Academy Awards®.
He is the recipient of the
Lifetime Achievement Award from the American Film Institute
and the prestigious Irving G. Thalberg Award from the
Academy of Motion Picture Arts and Sciences.
Spielberg, who was born in
Cincinnati and spent most of his childhood in the suburbs of
Haddonfield, New Jersey, and Scottsdale, Arizona, made his
first film with actors at the age of 12 and throughout his
teens made several ambitious amateur films. He later studied
film at California State University, Long Beach. After
making five short films, his 22-minute short,
Amblin
(after which he named his production company), was shown at
the 1969 Atlanta Film Festival. The talents he displayed in
this short film led to a unique seven-year contract with
Universal Pictures - making him the youngest director ever
to land a long-term deal with a major Hollywood
studio.
After directing several dramatic
television shows for Universal Television, including
episodes of Night
Gallery,
Marcus Welby M. D.
and Columbo, Spielberg directed the
made-for-television feature-length film Duel
in 1973.
Spielberg made his feature
directing debut on The
Sugarland Express.
Teamed with George Lucas, who was executive producer,
Spielberg directed Raiders of the Lost Ark,
Indiana Jones and the
Temple of Doom and
Indiana Jones and the
Last Crusade. His
additional directing credits include Hook
and Always. He also co-wrote and co-produced
Poltergeist.
With Amblin Entertainment, the
production company he formed in 1984, he served as executive
producer on more than a dozen films including
Gremlins, the Back to the Future
trilogy, An American
Tail,
Who Framed
Roger
Rabbit? and The Land Before Time. Amblin also co-produced
The Bridges of
Madison
County
and produced last summer's hit, Twister.
In October of 1994, he announced
the formation of a new multimedia studio, Dreamworks SKG,
with his partners in the venture, Jeffrey Katzenberg and
David Geffen.
Spielberg's first picture for
Dreamworks is Amistad, based on the true story of a mutiny on
the slaveship Amistad. This project will be followed by the
World War II story, Saving Private Ryan, which will star Tom Hanks.
DAVID KOEPP (Screenwriter),
who co-wrote the screenplay for Jurassic Park with Michael Crichton, has written or
co-written such films as Mission: Impossible and Carlito's Way, which were both directed by Brian De
Palma; The
Paper, which was
directed by Ron Howard and co-written with Koepp's brother
Stephen, a senior editor at Time magazine;
Death Becomes
Her, which was directed
by Robert Zemeckis; The
Shadow and
Bad Influence.
Koepp made his feature
directorial debut with The Trigger Effect starring Kyle MacLachlan, Elisabeth Shue
and Dermot Mulroney. He also directed the short film
Suspicious, starring Michael Rooker and Janeane
Garofalo.
Koepp initially considered a
career as an actor but transferred from the University of
Wisconsin to the film school at UCLA to concentrate on
writing. The move was influenced by a professor's assessment
of David's acting ability: "I think you're a wonderful
writer."
Koepp graduated from UCLA in 1986
and converted his internship with a film distributor into a
full-time position that allowed him to write at night. His
first self-produced screenplay, Apartment Zero, co-written with Martin Donovan, was a
thriller set in Argentina.
After graduating from Harvard
Medical School, author MICHAEL CRICHTON embarked on a novel
career. Called the "father of the techno-thriller," his
fiction includes The
Andromeda Strain,
The Great Train
Robbery,
Congo, Jurassic Park, Rising Sun, Sphere, Disclosure and The Terminal Man. He has also written four non-fiction
titles: Five
Patients,
Jasper
Johns,
Electronic
Life and
Travels.
Crichton has directed six films,
among them Westworld, Coma
and The Great Train
Robbery. He has always
been interested in computers and once ran a software company
called FilmTrack. He also invented the computer game Amazon.
His film Westworld has the distinction of being the first
feature film to employ digitized images.
GERALD R. MOLEN (Producer) was
one of the three producers of Steven Spielberg's
Schindler's
List, which won the
Academy Award® for Best Picture and six other
Oscars® including Best Director. Schindler's List, which he produced along with Steven
Spielberg and Branko Lustig, was Molen's fourth
collaboration with Spielberg. He previously produced
Jurassic
Park with Kathleen
Kennedy, co-produced Hook
and served as production manager on The Color Purple, which was his first project with his
future Amblin colleagues.
Following the completion of
Schindler's
List, Molen served as
head of production for Amblin. Other films he has produced
under the Amblin banner are The Little Rascals, The
Flintstones,
Casper, To
Wong Foo, Thanks for Everything! Julie
Newmar,
How to Make an American
Quilt,
The Trigger
Effect and
Twister.
His previous credits include
serving as co-producer on Rain Man and executive producer on
Days of
Thunder. Additional
credits include Bright
Lights, Big City, * batteries not
included,
A Soldier's
Story,
Tootsie, Absence of Malice, The
Postman
Always Rings
Twice and
Ordinary
People.
COLIN WILSON (Producer)
first became associated with Steven Spielberg on
Raiders of the Lost
Ark. He began his
career in the film industry in 1978 on Superman and worked on the next two installments of
that movie series. Since 1986, he has continually worked
with Spielberg and/or Amblin Entertainment on some of their
most successful and acclaimed films, including
Who Framed Roger
Rabbit?,
Indiana Jones and the
Temple of Doom and
Indiana Jones and the
Last Crusade. He was
the production effects producer on Hook
and a co-producer on The
Flintstones. In
addition to working as associate producer on
Jurassic
Park, he was involved
in the supervision of visual effects and coordination of the
post-production of the film.
Prior to The Lost World: Jurassic
Park, Wilson produced
Casper
for Amblin. He is currently producing Spielberg's next two
films, Amistad and Saving Private Ryan.
Executive
producer
KATHLEEN KENNEDY was a founding partner with Steven
Spielberg and Frank Marshall of Amblin Entertainment. In
addition to producing the highest-grossing films in domestic
box-office history, E.
T. : The Extra-Terrestrial, Jurassic Park and Twister, she has served as producer on
The Color
Purple,
Empire of the
Sun, Always, Hook,
Congo, Indian in the Cupboard and Arachnophobia. Her credits as executive producer include
such films as The
Flintstones,
Back to the
Future and its two
sequels, Who Framed
Roger Rabbit?,
Gremlins, Gremlins 2: The New
Batch,
An American
Tail,
The
Land Before Time, The
Money Pit,
Dad, Joe
Versus the Volcano and
Cape
Fear.
In 1994, she and Frank Marshall
formed The Kennedy/Marshall Company and produced the films
Alive, Congo
and Indian in the
Cupboard.
Raised in Weaverville and Redding,
California, Kennedy graduated from San Diego State and
worked at a local television station where she gained her
experience as a camera operator, video editor, floor
director and talk show producer. She first worked with
Spielberg as a production assistant on 1941
and soon moved through the ranks until he asked her to join
him as co-producer.
Director of
photography
JANUSZ KAMINSKI, A. S. C. won the 1993 Academy Award®
for his black-and-white photography of Schindler's List, his first association with Steven
Spielberg. Immediately following The Lost World: Jurassic
Park, he once again
teamed with Spielberg on the upcoming Amistad.
Kaminksi, a native of Poland,
moved to the United States in 1980 to attend Columbia
College in Chicago, where he earned a degree in fine arts
and film. He subsequently moved to Los Angeles to attend the
American Film Institute (AFI) as a cinematography fellow. He
began his career in 1987 on the feature film
Fallen
Angel and has since
served as director of photography on Jerry Maguire, How
to Make an
American
Quilt,
Little
Giants,
Tall Tale: The
Unbelievable Adventures of Pecos Bill, The
Adventures of Huck Finn
and several independent features.
Kaminksi also worked on two
distinguished television projects, the Amblin Entertainment
production of Class of
'61 and the Diane
Keaton-directed Wildflower.
Production
designer RICK CARTER began his association with Steven
Spielberg and Amblin when he designed 42 episodes of
Amazing
Stories, which
partnered him with a virtual Who's Who of directors,
including Spielberg, Martin Scorsese and Peter Hyams, to
name a few.
Carter has continued the
association, moving on to be the production designer on
Jurassic
Park and following
The Lost World: Jurassic
Park, with two more
projects with Spielberg: the upcoming Amistad and Saving Private Ryan.
His other credits as a production
designer include Three
Fugitives and
Death Becomes
Her.
Born and raised in Los Angeles,
Carter attended UC Berkeley in the late 1960's, worked in
New York City and became a world traveler for two years
before settling in Los Angeles in the art department on Hal
Ashby's Bound for
Glory. He was an
assistant art director on The China Syndrome and The Adventures of Buckaroo
Banzai.
MICHAEL KAHN, A. C. E. (Film Editor)
won two Academy Awards® for his editing of films
directed by Steven Spielberg: Schindler's List and Raiders of the Lost Ark. He has also received nominations for
Fatal
Attraction (for which
he won a British Academy Award), Close Encounters of the Third
Kind and
Empire of the
Sun. Kahn has worked on
a wide variety of films, including Casper, Jurassic Park, Hook,
Alive, Indiana Jones and the
Temple of Doom,
Indiana Jones and the
Last Crusade,
Arachnophobia, The
Color
Purple, The
Goonies,
Poltergeist, Used
Cars,
1941 and Eyes of Laura Mars. He also won an Emmy for his work on the
miniseries Eleanor and
Franklin.
Composer
JOHN WILLIAMS began his career in 1961 with the music
for Secret
Ways. In the early
1970's, he created gripping and suspenseful scores for such
popular disaster films as The Poseidon Adventure, Earthquake and The Towering Inferno.
Williams is a master of every
genre and emotional nuance. He has been nominated for a
remarkable 35 Academy Awards® and has won five
Oscars®, including three for scores he composed for
Steven Spielberg: Jaws,
E. T. : The
Extra-Terrestrial and
Schindler's
List. He has composed
many of the most familiar themes in movie history, including
Star
Wars, which also earned
him an Academy Award® for Best Original Score,
Close Encounters
of the Third Kind, Dracula, Superman, Raiders of the Lost Ark, Indiana Jones and the Temple of
Doom,
Indiana Jones and the
Last Crusade,
The Witches of
Eastwick,
The
River,
Hook, Born
on the Fourth of July,
Far and
Away,
Nixon,
Home
Alone,
Sabrina
and Sleepers. He won his first Academy Award® for his
scoring of the film version of Fiddler on the Roof.
Williams is frequently featured as
a guest conductor with Philharmonic Orchestras around the
world and for many years has been the conductor and music
director of the famous Boston Pops Orchestra.
Eight-time Academy
Award®-winner
DENNIS MUREN, A. S. C. (Full Motion Dinosaurs) is the senior visual effects supervisor
at Industrial Light & Magic. Muren's eight Oscars®
and Scientific and Technical Achievement Award are in
recognition of his work on Jurassic Park, Terminator 2: Judgment
Day, The Abyss, Innerspace, Indiana Jones and the Temple of
Doom,
Return of the
Jedi,
E. T. : The
Extra-Terrestrial and
The Empire Strikes
Back. He was also
nominated for Academy Awards® for Willow, Young
Sherlock Holmes and
Dragonslayer.
Among Muren's credits are
The Star
Wars Trilogy Special Edition, Twister, Mission Impossible, Casper, Ghostbusters II and Empire of the Sun. Muren, who traces his interest in visual
effects to the age of 10 when he started making his own
films on an 8mm camera, began his career as a visual effects
cameraman and worked on such productions as
Close Encounters of the
Third Kind,
Star
Wars and
Battlestar
Galactica.
STAN WINSTON (Live Action Dinosaurs) has won four Academy Awards®, three
BAFTA (British Film and Television Academy) awards and two
Emmys for his achievements. He has been nominated for a
total of eight Oscars, five BAFTAs and six Emmys.
Winston was nominated for his
first Academy Award® with Heartbeeps. He then teamed with James Cameron to
create The
Terminator, starring
Arnold Schwarzenegger. Winston reteamed with Cameron on
Aliens, heading up the film's enormous effects
unit and subsequently won an Academy Award®. In 1987, he
earned his third Academy Award® nomination for his work
on Predator. For his pioneering work on
Terminator 2: Judgment
Day, for which he
produced hundreds of animatronic effects and prosthetic
make-up redefining the design and technology for special
make-up effects, he won two Academy Awards® - one for
visual effects and the other for make-up.
In 1993, Winston led his team of
artists to his fourth Academy Award®, creating the
full-size dinosaurs in Jurassic Park. Among his other distinguished credits are
Interview with the
Vampire,
Edward
Scissorhands and
Batman
Returns. Winston most
recently created the creature effects for The
Relic and Ghost and the Darkness. He also directed the widely-acclaimed
short film Ghosts, starring Michael Jackson.
Stan Winston began his career as a
make-up artist at Walt Disney Productions. His first
television movie, Gargoyles, resulted in his first Emmy Award and a
year later he won his second Emmy for The Autobiography of Miss Jane
Pittman in which he
aged actress Cicely Tyson to 110 years old. Between 1973 and
1979, Winston was nominated for six Emmys and then moved
into feature films, providing the special make-up for
The
Wiz.
In 1993, he partnered with James
Cameron and former ILM principal Scott Ross in the creation
of Digital Domain, a computer effects company headquartered
in Venice, California.
MICHAEL LANTIERI (Special Dinosaur Effects) is one of the motion picture industry's
leading special effects artists. An Academy
Award®-winner for his work on Jurassic Park, he has frequently collaborated with
Steven Spielberg and Amblin Entertainment on such projects
as Indiana Jones and the
Temple of Doom,
Back to the Future II
and Back to the Future III, Who
Framed Roger Rabbit,
Hook, The
Flintstones and
Casper.
Among Lantieri's other credits
are: Flashdance, Fright Night, The
Woman in Red,
Thief of
Hearts,
The Last
Starfighter,
My Science
Project,
Poltergeist
II, Star Trek IV, Twins,
The Witches of
Eastwick,
Bram Stoker's
Dracula, and
Death Becomes
Her, the latter two of
which he did simultaneously. Lantieri's most recent projects
prior to The Lost World:
Jurassic Park were
Mars
Attacks!,
Matilda and Congo.
Lantieri is now in production on Steven Spielberg's current
projects, Amistad and Saving Private Ryan, and the Dreamworks SKG production
Mousehunt.
SUE MOORE (Costume Supervisor) has been the costume supervisor on such
films as Mars
Attacks!,
Bogus, How
to Make an American Quilt and A
Little Princess. Prior
to that, she was the women's costume supervisor on
The
Flintstones,
Jurassic
Park,
Bram Stoker's
Dracula,
Hook, Joe
Versus the Volcano,
Havana, Star
Trek V :
The Final
Frontier,
Rain
Man, Fresh Horses, *
batteries not included,
Stand By
Me (costume
supervisor), The
Natural and
Sudden
Impact.
Technical
Advisor, Paleontology
Consultant JACK HORNER, a curator at the Museum of the Rockies in
Bozeman, Montana and a professor at Montana State, heads the
largest dinosaur research team in the country.
Born and raised in Shelby,
Montana, Horner collected his first dinosaur fossil at the
age of eight. After a stint in the Marines, Horner worked as
a field assistant in the Department of Geology at the
University of Montana and landed a job as a research
assistant in paleontology at Princeton University. From 1978
through 1982, he was a museum scientist at the American
Museum of Natural History. He was named Curator of
Paleontology at the Museum of the Rockies in 1982.
Among his most historic finds are
the remnants of one dinosaur herdan estimated 10,000
waddling duckbills and the most complete Tyrannosaurus Rex
ever discovered.
His extensive writing includes
three books: Maia: A
Dinosaur Grows Up,
Digging
Dinosaurs and
Digging Up Tyrannosaurus
Rex.
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